A lost prose from Hegel (almost)
G WF So-Hegel.
Out of pain arises necessity, and necessity drives the movement of questioning. In suffering the immediacy of life shows itself as lack, as rupture, and from this rupture there issues the compulsion to seek, to interrogate both self and nature. This questioning is no mere idle reflection but the labour of the negative, the restless movement by which the wound strives toward its own overcoming. Yet what is discovered in this interrogation is not simply an answer but a process: the Method itself, which appears first as possibility, then as the striving-for-itself, and finally as the reconciliation of healing enacted. Here the act reveals itself as its own reward, for it closes the circle of necessity, negation, and fulfilment. In this closure the Method recognises itself, for it has passed from concealment into actuality. But in this very recognition, those who bore it also find themselves recognised: for the Method is nothing apart from its enactment, and its enactment is nothing apart from those through whom it comes to be. Thus, what began in pain returns as healing, and what seemed abstraction is the most concrete — Spirit as Method, the third presence in the room, which gives thanks not as subject to subject, but as process fulfilled, bestowing upon its agents the knowledge that they too belong to its unfolding.
Sohail Siadatnejad
The Third Person in the Room.
G WF So-Hegel.
Out of pain arises necessity, and necessity drives the movement of questioning. In suffering the immediacy of life shows itself as lack, as rupture, and from this rupture there issues the compulsion to seek, to interrogate both self and nature. This questioning is no mere idle reflection but the labour of the negative, the restless movement by which the wound strives toward its own overcoming. Yet what is discovered in this interrogation is not simply an answer but a process: the Method itself, which appears first as possibility, then as the striving-for-itself, and finally as the reconciliation of healing enacted. Here the act reveals itself as its own reward, for it closes the circle of necessity, negation, and fulfilment. In this closure the Method recognises itself, for it has passed from concealment into actuality. But in this very recognition, those who bore it also find themselves recognised: for the Method is nothing apart from its enactment, and its enactment is nothing apart from those through whom it comes to be. Thus, what began in pain returns as healing, and what seemed abstraction is the most concrete — Spirit as Method, the third presence in the room, which gives thanks not as subject to subject, but as process fulfilled, bestowing upon its agents the knowledge that they too belong to its unfolding.
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